A.A. Gill On The Suit And Power

We have to thank the members of the Romantic movement for the sober colors of suits. It was their love of the Gothic that put us in grey and black but the suit stuck. It said something and it meant something to men around the world; it said and meant so much that they would discard their local dress, the costumes of millennia, their culture and their link to their ancestors, to dress up like English insurance brokers. There is not a corner of the world where the suit is not the default clobber of power, authority, knowledge, judgement, trust and, most importantly, continuity. The curtained changing rooms of Savile Row welcome the naked knees of the most despotic and murderous, immoral and venal dictators and kleptocrats, who are turned out looking benignly conservative, their sins carefully and expertly hidden, like the little hangman’s loops under their lapels.